Here are my presentation panels:
Open publication - Free publishing - More automobile
Design Intention:
I studied Sanaa's 21st Century Museum of Contemporary Art and the Porsche Museum in Germany as my precedent studies. The reasons why I picked those was because I wanted to study different circulation paths in museums: one is quite controlled while the other is very free and uncontrolled. I was also interested in how the Kanazawa Museum appears to have a timeless character, its pure white boxes are completely different from the Porsche Museum's irregular and organic form.
From this study, together with the theoretical framework which I did during the first semester, it got me thinking about how and what I want to achieve in my project.
Automobiles and architecture appear to share a similar history of the increasing dependence of form over experience. With the advancement of technology, cars are able to attain a more superficial streamline appearance, and contemporary architecture seems to have followed a similar trend. Almost every car museum I studied have curvilinear forms and irregular in shape, which they claim to be inspired by the dynamic flowing form of a speeding car.
I think it's not just the looks or speed of a car that should be respected. Similarly, a building should not be judged simply by its external facade or form. This Automuseum aims at not only to showcase to the public car as an art, but also makes a statement about the conception of automobiles and architecture through personal experience. One should be given the opportunity to interpret and redefine their own perception of car and architecture.
We are always at the present of the timeline, and as years go by, the "present" will shift along the timeline, the "past" will grow and the future remains to be the years ahead. The car has gone through a lot of generations and a lot more yet to come. Therefore my intention is to design a museum that can accommodate this growth that allows for expansion and flexibility. For this to happen the building should also be "timeless", to adopt to the different periods of time. The simplicity of forms allows the building to be unbiased against either end of the timeline. This is how I came up with the idea of having a modular system of blocks, and adopting the Mat building typology. It then became a facadeless building with simple form, simple construction, materials and colours.
Choice of Site:
The proposed car museum will be the first of its kind in Sydney. It is located within a public park along Bourke Street, Waterloo, forming a part of the Green Square Masterplan. The reason why I picked this site was because there are more and more car showrooms appearing around the Zetland / Waterloo area, so I figured it would make sense to be putting something of the similar kind within the suburb.
Also the site just sits within the boundary of the Masterplan, and I can foresee the old warehouse and factory buildings on the opposite site of the road being demolished in the future, the proposed mat building type modular design can become a starting point of a new development of the surrounding suburbs.
Design Language:
The next challenge I faced was to design each of the pavilions so they don't look like boring white boxes. Afterall all the pavilions have to be seen together as a whole, so it is important for each to relate to each other, and the idea of "shifting of planes' was employed while designing each space. I was also trying to make each pavillion distinguishable from one another so while one is walking through the building they get some sense of direction. The end result was to have a coloured feature wall / plane for each pavillion.
This idea of "shifting of planes" continues throughout the whole site and forms part of the landscape. My initial concept was to leave the park very open and accessible from all four sides, however while I progressed I thought it is quite important to have distinctive entrances to the park, so I created a few main entrance points, while at the same time keeping the site quite accessible from all directions via smaller entry points.
Carpark:
The carpark was actually one of the most important elements of the project. I have always hated the idea of just placing carparks in basement levels, which seems to always be the current trend of contemporary architecture. Being a car museum, of course the cars which visitors come in have to be respected as well. In the design, the carpark integrates with the landscape and also becomes part of the gallery, where visitors can park their cars and their cars become part of the exhibition.
Design Intention:
I studied Sanaa's 21st Century Museum of Contemporary Art and the Porsche Museum in Germany as my precedent studies. The reasons why I picked those was because I wanted to study different circulation paths in museums: one is quite controlled while the other is very free and uncontrolled. I was also interested in how the Kanazawa Museum appears to have a timeless character, its pure white boxes are completely different from the Porsche Museum's irregular and organic form.
From this study, together with the theoretical framework which I did during the first semester, it got me thinking about how and what I want to achieve in my project.
Automobiles and architecture appear to share a similar history of the increasing dependence of form over experience. With the advancement of technology, cars are able to attain a more superficial streamline appearance, and contemporary architecture seems to have followed a similar trend. Almost every car museum I studied have curvilinear forms and irregular in shape, which they claim to be inspired by the dynamic flowing form of a speeding car.
I think it's not just the looks or speed of a car that should be respected. Similarly, a building should not be judged simply by its external facade or form. This Automuseum aims at not only to showcase to the public car as an art, but also makes a statement about the conception of automobiles and architecture through personal experience. One should be given the opportunity to interpret and redefine their own perception of car and architecture.
We are always at the present of the timeline, and as years go by, the "present" will shift along the timeline, the "past" will grow and the future remains to be the years ahead. The car has gone through a lot of generations and a lot more yet to come. Therefore my intention is to design a museum that can accommodate this growth that allows for expansion and flexibility. For this to happen the building should also be "timeless", to adopt to the different periods of time. The simplicity of forms allows the building to be unbiased against either end of the timeline. This is how I came up with the idea of having a modular system of blocks, and adopting the Mat building typology. It then became a facadeless building with simple form, simple construction, materials and colours.
Choice of Site:
The proposed car museum will be the first of its kind in Sydney. It is located within a public park along Bourke Street, Waterloo, forming a part of the Green Square Masterplan. The reason why I picked this site was because there are more and more car showrooms appearing around the Zetland / Waterloo area, so I figured it would make sense to be putting something of the similar kind within the suburb.
Also the site just sits within the boundary of the Masterplan, and I can foresee the old warehouse and factory buildings on the opposite site of the road being demolished in the future, the proposed mat building type modular design can become a starting point of a new development of the surrounding suburbs.
Design Language:
The next challenge I faced was to design each of the pavilions so they don't look like boring white boxes. Afterall all the pavilions have to be seen together as a whole, so it is important for each to relate to each other, and the idea of "shifting of planes' was employed while designing each space. I was also trying to make each pavillion distinguishable from one another so while one is walking through the building they get some sense of direction. The end result was to have a coloured feature wall / plane for each pavillion.
This idea of "shifting of planes" continues throughout the whole site and forms part of the landscape. My initial concept was to leave the park very open and accessible from all four sides, however while I progressed I thought it is quite important to have distinctive entrances to the park, so I created a few main entrance points, while at the same time keeping the site quite accessible from all directions via smaller entry points.
Carpark:
The carpark was actually one of the most important elements of the project. I have always hated the idea of just placing carparks in basement levels, which seems to always be the current trend of contemporary architecture. Being a car museum, of course the cars which visitors come in have to be respected as well. In the design, the carpark integrates with the landscape and also becomes part of the gallery, where visitors can park their cars and their cars become part of the exhibition.
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